…. Imagine a Scott RItter or Big ass Brain John Mearsheimer or Jason Hinkle or, well, you get the fucking picture, committing to a peace and aid flotilla . . . I’d have a stroke
BURN . . . IT . . . ALL . . . DOWN.
Making fun of real heroes, more guts in 12 people aboard than the fucking entire fucking retired, kicked out, filed out veterans in this fucking Cunt-Tree.
No matter where you turn, the dead white race is deadening.
The Pentagon has just confirmed taking control of an additional 2,000 California National Guard troops, bringing the total to 4,000. Gov. Newsom made an official “request” for Trump to rescind the initial order, and called it unconstitutional, but has not asserted his own official power as commander-in-chief of the California National Guard to send them home.
Top double and triple circumcised Jew.
Trump’s vision has had a rocky road to realization. Trump’s announcement was meant to offer his own competing vision to the activists who sought to remove statues — by force or by politics — of figures like Andrew Jackson or Confederate generals.
In one of the final acts of his first term, he issued a list of potential figures that alternately baffled, delighted or outraged observers. They included divisive — but inarguably historic — figures such as Jackson, who signed the Indian Removal Act that began the Trail of Tears. Also listed, however, were unexpected choices such as Canadian-born “Jeopardy” host Alex Trebek, who was naturalized in 1998.
Some of the names never got American citizenship at all — including Christopher Columbus.
BURN IT DOWN SAUL:
Trump’s fav:
“I have no business with genocidaires.” That’s how artist, poet and activist Saul Williams describes his refusal to stay silent on Israel’s war on Gaza.
“No temptation has overtaken you that is not common to man. God is faithful and he will not let you be tempted beyond what you can bear, but he will provide a way of escape” 1 Corinthians 10:13 is recited in the earlier scenes of Ryan Coogler’s genre bending horror film SINNERS and uttered in a quaint, white wooden church to sharecropper and aspiring blues singer Sammie (Miles Caton). Under the admonishment of his preacher father Jedidiah (Saul Williams), he is warned of the dangers of dealing with the devil right before riding into the fields with his cousins, Smoke and Stack, for the opening night of their juke joint. This scripture becomes a foretelling to the film’s narrative, and moreover the problems that soon follow. Encapsulating the dichotomy of genre, SINNERS explores perceptions of the blues and gospel music, which are identical sonically—but wrestle in connotation as blues was once deemed the devil’s music. In the film, morality becomes ambiguous, and malleable even, as Coogler brilliantly illustrates duality in his characters and their development while incorporating themes of Hoodoo and Christianity.
Yet it’s impossible to speak of morality devoid of the demons of white supremacy, the ideals of American sanctity, purity, and narcissistic self-righteousness that persist in the world of SINNERS. The film takes place in the Mississippi Delta in 1932–amid The Great Depression and the rise of the Nazi Party in Germany– which were inspired by the horrors persisting in the States. Characters succumb to the white violence, through brutality, voyeurism and mass consumption by Irish vampires looking to steal their talents under the guise of love. While the film is adventurous, fun, haunting and stunning, its social commentary cannot be ignored—amidst ghosts, ghouls, spirits, haints and vampires nothing is scarier than racism, or “white mothaf****” as Williams tells me over the phone.
Aside from awe-striking performances by Caton, Michael B. Jordan, and Wunmi Mosaku—Williams’ presence in the film rings particularly prescient. His words and impact echo in the film as counterpoints to Sammie’s decision making, and the Stack twin’s expectations and protection of him. The film opens and ends with him and so while there’s the initial belief that he’s harsh and unbending he garners curiosity towards the end.
Williams was personally approached by Coogler to play the role of Uncle Jedidiah, as he’d been a fan of his since the 1998 film SLAM, which Williams starred in and co-wrote as the film won Grand Jury Prize at Sundance, and the Cannes Camera d’or. As a nationally acclaimed artist, he embodies what it means to be multi-disciplinary; he is an actor, and filmmaker, a singer-songwriter, rapper, and musician, and to many poetry lovers and aspiring poets—a consummate slam poet for the BreakBeat generation. He’s performed with Erykah Badu, Sonia Sanchez, Nas, The Fugees and De La Soul, and was a series regular in Mara Brock Akil’s hit show Girlfriends. Coogler originally wanted Williams to play a role in Black Panther, but Williams was at work co-directing a science fiction musical, Neptune Frost which premiered at Cannes.
How would you say your activism and work as an artist lend themselves to each other?
In my mind, I’m an artist and there is a long history of our revolutionary and literary elders who have said that we need to be clear on the fact that art in many instances operates as propaganda. You may think that you’re doing neutral art, but when I hear your song, I hear your relationship to women. I hear your relationship to money. There’s so much that’s betrayed by you doing something that you think is just a “get-up-and-dance” thing. So once you understand that neutral is not neutral, then as an artist, you begin to make conscious decisions to say, well, I don’t want this to be misinterpreted, so let me make myself clear. That is what Toni Morrison did in her work, Nina Simone, Amiri Baraka, Lorraine Hansberry, Stevie Wonder did and does in his music. So it’s not necessarily activism to connect your gift or voice to your understanding of the times to speak to the moment beyond whatever fears may approach because of the fact that it may be controversial.
I come from a school of artists—that was the teaching of the Black Arts Movement, they said that art should serve a function, because the other side uses all of their art as propaganda.
Michael B. Jordan And Ryan Coogler Write Their Own Rules
With five projects and more than a decade of work, the actor and director have crafted a legacy defined by brotherhood. Their latest collaboration, Sinners, may be their most daring yet.
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Make America Homeless Again and Again: MAHAA.
Michael Furlow, Licensed Practical Nurse in New Haven and part of SEIU 1199 NE joins the show to discuss the deepening crisis in US nursing homes, where decades of underfunding have left workers scrambling for basic supplies like soap, trash bags, and medical tape. With the federal government planning to slash Medicaid and Medicare, lifelines for so many elderly and disabled people, Furlo warns, “These cuts would be devastating… the majority of residents I care for are either on Medicaid or Medicare,” and says residents could be left “with nowhere to live, with nowhere to go.”
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We must burn them and it DOWN:
Forbes has been scanning the globe for billionaires since 1987. We found 140 of them that first year. It took two decades for their numbers to swell beyond 1,000. Then there were 2,000 in 2017. Now, eight years later, another milestone: 3,028 entrepreneurs, investors and heirs make up this year’s ranking, 247 more than a year ago. Not only are there more of them, but they’re richer than ever, worth $16.1 trillion in total—up nearly $2 trillion over 2024. The U.S. has a record 902 billionaires, followed by China (516, including Hong Kong) and India (205). We used stock prices and exchange rates from March 7, 2025. For daily updated net worths of all 3,028 billionaires, check out our real-time billionaires ranking.
Compared to the globe’s populations:
Here’s a more detailed breakdown:
- 1987: 5 billion
- 2011: 7 billion
- 2022: 8 billion
- 2025: Estimated 8.2 billion
BURN THEM ALL DOWN:
Gotta shoot them wherever their semen and Chlamydia drips:
Burn them with damn gasoline: Top 10 Richest Jews in the World (2025)
Record-breaking number of Israelis featured on Forbes’ 2024 billionaire’s list
The unprecedented rise in the number of Israelis featured on Forbes’ list is mainly attributed to the continued growth of Israel’s hi-tech industry.
A Pornography of Evil in Israeli school books to indoctrinate children for war.
In this powerful and eye-opening interview, renowned Israeli scholar Prof. Nurit Peled-Elhanan takes us deep into the hidden machinery behind Israel’s education system and how it fuels the ongoing Israeli-Palestinian conflict.
As the mother of a daughter tragically killed in a Palestinian suicide bombing, Nurit’s insights carry a weight few can match—yet, despite her personal loss, she refuses to embrace hatred. Instead, she exposes how Israeli schoolbooks systematically dehumanize Palestinians, shaping young minds to see Arabs as enemies, and fueling a cycle of violence that leads to today’s war crimes in Gaza.
🔍 Discover the shocking truth: How the Holocaust narrative is manipulated to invoke fear in Israeli children—not of Germans, but of Arabs, now labeled as “Nazis” by Israeli leaders.
⚔️ Understand the transformation: How Israeli children, indoctrinated from an early age, grow into soldiers who carry out brutal acts without questioning their orders.
📚 Explore the research: Peled-Elhanan’s groundbreaking studies uncover the racism embedded in Israeli textbooks and media, revealing the disturbing connection between education and militarism. This interview is not just a conversation; it’s a wake-up call. Don’t miss this compelling dialogue about fear, indoctrination, and the critical role of education in shaping future generations.
Paul Haeder, Author 